Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
Director: Stanley Kubrick
Writers: Stanley Kubrick, Anthony Burgess
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As time goes by, I'll always appreciate my Grade 10 English class (1984-85), taught by Mr. Terry. Looking back, it's probably the year that I was introduced to the most great literary works of all my life (especially 'Anthem' by Ayn Rand and 'Nausea' by Jean-Paul Sartre). Include…
Some great visuals and direction not to mention an incredible performance from Malcolm McDowell, I wasn't totally into this, the first half especially was taxing to get through to the point I stopped watching and only finished a couple days later. The rest was good and found myse…
With this film, a world heritage of cinema, Stanley Kubrick has reached a level of artistic mastery that would make Michelangelo pale in comparison. To make a film an art form, it must have the innovation of a Chaplin or Jean-Luc Godard. Furthermore, for a film to be a masterpiec…
This is a truly challenging film that routinely glorifies violence - especially towards women, and offers us a terrifying appraisal of the effects of unfettered government and science working in cahoots with each other. Fifty years on from it's groundbreaking release, it's great…
The film is based on Anthony Burgess‘ novel about young Alex Delarge and his droogs who go around tolchocking people and partaking of the ultraviolence and the old in-out-in-out. Yes, the language is a futuristic mix of Russian, slang and made-up words that Burgess employed so…
