Hellmuth Costard

Hellmuth Costard

Directing

November 1, 1940 — June 13, 2000

Hellmuth Costard (1940, Holzhausen, Leipzig, Germany) was a director and writer, known for The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves (1970), Der kleine Godard an das Kuratorium junger deutscher Film (1978) and Echtzeit (1983). He died on June 13, 2000 in Oberhausen, North Rhine-Westphalia, Germany.

Known for

Chronicle of Anna Magdalena Bach

Chronicle of Anna Magdalena Bach

1968

Of Special Merit

Of Special Merit

1968

Football As Never Before

Football As Never Before

1971

Why Did You Kiss Me Awake?

Why Did You Kiss Me Awake?

1967

Realtime

Realtime

1983

Percy McPhee - Agent des Grauens (6. + 7. Folge)

Percy McPhee - Agent des Grauens (6. + 7. Folge)

1970

Directing17

Vladimir Günstig - Eine trojanische Affäre

Vladimir Günstig - Eine trojanische Affäre

2004

Director

Aufstand der Dinge

Aufstand der Dinge

1994

Director

Battle for Time

Battle for Time

1985

Director

Realtime

Realtime

1983

Director

Witzleben

1981

Director

Little Godard

1978

Director

Teilweise von mir - Ein Volksstück

Teilweise von mir - Ein Volksstück

1972

Director

Football As Never Before

Football As Never Before

1971

Director

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Director

Die Postkarte

1969

Director

Von der Revolte zur Revolution oder Warum die Revolution erst morgen stattfindet

Von der Revolte zur Revolution oder Warum die Revolution erst morgen stattfindet

1969

Director

After Action

1968

Director

Of Special Merit

Of Special Merit

1968

Director

Why Did You Kiss Me Awake?

Why Did You Kiss Me Awake?

1967

Director

One Brachet Close Brachet

One Brachet Close Brachet

1966

Director

Tom ist doof

1965

Director

ASTA-Spot

1964

Director

Writing11

Vladimir Günstig - Eine trojanische Affäre

Vladimir Günstig - Eine trojanische Affäre

2004

Writer

Aufstand der Dinge

Aufstand der Dinge

1994

Writer

Battle for Time

Battle for Time

1985

Screenplay

Realtime

Realtime

1983

Writer

Little Godard

1978

Writer

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Writer

After Action

1968

Writer

Of Special Merit

Of Special Merit

1968

Writer

One Brachet Close Brachet

One Brachet Close Brachet

1966

Writer

Tom ist doof

1965

Writer

ASTA-Spot

1964

Writer

Acting8

Vladimir Günstig - Eine trojanische Affäre

Vladimir Günstig - Eine trojanische Affäre

2004

Vladimir • Hellmuth

The Critical Mass

The Critical Mass

1999

Himself

Little Godard

1978

Applicant

Percy McPhee - Agent des Grauens (6. + 7. Folge)

Percy McPhee - Agent des Grauens (6. + 7. Folge)

1970

Die Postkarte

1969

Of Special Merit

Of Special Merit

1968

Der warme Punkt

Der warme Punkt

1968

Chronicle of Anna Magdalena Bach

Chronicle of Anna Magdalena Bach

1968

Rector Ernesti

Production8

Aufstand der Dinge

Aufstand der Dinge

1994

Producer

Battle for Time

Battle for Time

1985

Producer

Realtime

Realtime

1983

Producer

Little Godard

1978

Producer

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Producer

Die Postkarte

1969

Producer

One Brachet Close Brachet

One Brachet Close Brachet

1966

Producer

Tom ist doof

1965

Producer

Editing6

Vladimir Günstig - Eine trojanische Affäre

Vladimir Günstig - Eine trojanische Affäre

2004

Editor

Realtime

Realtime

1983

Editor

Witzleben

1981

Editor

Die Postkarte

1969

Editor

One Brachet Close Brachet

One Brachet Close Brachet

1966

Editor

Tom ist doof

1965

Editor

Crew3

Realtime

Realtime

1983

Cinematography

Witzleben

1981

Script

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Cinematography

Camera2

Battle for Time

Battle for Time

1985

Director of Photography

Witzleben

1981

Camera Operator

Sound1

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

The Oppression of the Woman Is Especially Seen in the Attitude of the Women Themselves

1969

Sound, Music